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January 2008

January 31, 2008

Travel Warning - Dwarves!

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Preparing to leave the country ain't as easy as it used to be. Of course there was always the fear of forgetting the passport and wondering if you had enough of those miniature bottles of scotch tucked away (if you have to fly coach...) but now we've had to get used to putting bunches of stuffs in plastic bags and carrying on virtually nothing. And now this warning from the U.K. Telegraph about Dwarves zipping themselves into suitcases and clearing out the rest of the luggage from the hold.

I'm really not sure what to say.


January 30, 2008

Sundance / 1

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I’ve been back from Park City for almost a week now and I’ve only just begun to stop coughing, drooling and sneezing. It seemed the moment the plane touched down in Denver my temperature rose, the lungs collapsed and I’ve been trying desperately to build up my immune system before heading out to Berlin next Wednesday to once again be faced with cold and snow…albeit nothing like what was experienced at Sundance. So, what of Sundance 2008? Much has already been written about the lack of deals, the ho-hum-ness as opposed to any genuine buzz…but there were some good films there…especially, I think, if you dug deeper than the Premiere and Dramatic Competition sections.

The first day I was in town I saw Marina Zanovich’s Roman Polanski: Wanted and Desired and Edet Belzberg’s renamed, The Recruiter. I was dying to see the latter as Belzberg’s 2001 Children Underground was perhaps my favorite documentary that year and I did like her new film, actually more in retrospect than at first. I think that going in I was expecting to see all sorts of underhanded dealings, a funneling through of unprepared, unwitting young men in the name of an Army quota. And I’m sure this happens, it just doesn’t happen here. While I don’t agree with the recruiter’s end goal, I do end up appreciating the fact that he truly believes in what he is doing and Belzberg stays out of it in order that we can come to our own conclusions...or change our preconceived ones.

The Roman Polanski doc was, by far, the best thing I saw at Sundance. Not only laying out the story of Polanski’s court case for unlawful sexual intercourse with a minor, which was far more controversial and complicated than I remember, but also delving into his tragic upbringing and the effect of Sharon Tate’s murder, the film was, simply, riveting. And while, like Belzberg’s film above, Marina Zenovich stays out of the picture and let’s the lawyers, the victim herself, tell their sides of the story, I couldn’t help but leave the theatre feeling like Polanski had really been screwed by the media and the judge in this case. And maybe he was, but when you come down to it, really, she was 13 and that’s pretty tough to explain away. Still, I can’t recommend it enough and can’t wait to see it again.

Tomorrow: Alone in Four Walls, Anvil! The Story of Anvil.

January 10, 2008

The Price of Sugar - Lawsuit

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Bill Haney’s The Price of Sugar has been playing at festivals all over the country since its premiere at SXSW last March where it won an Audience Award. Since ending its festival run the film has been booked by several theatres for theatrical screenings, including us, where the film opens this Friday for a one-week engagement at the Starz FilmCenter. This morning our office received a letter from the law firm Patton Boggs informing us that a lawsuit was underway against Bill Haney and his production company Uncommon Productions by Grupo Vicini asking to cease and desist any further screenings of the film. Included was a copy of a cease and desist letter from Patton Boggs to Bill Haney and copies of 24 pages of the complaint filed against Haney and Uncommon Pictures in the United States District Court of Boston. The legal action has been reported earlier this year by The Los Angeles Times (among other stories which can be read here and here.)

Just to be clear, the letter from Patton Boggs isn’t asking us to do anything, but is apparently just letting us know that they and their clients feel that the film is defamatory, inaccurate and intentionally misleading.

Hmm…

Anyway, The Price of Sugar opens Friday, January 11 at the Starz FilmCenter in Denver.  Get your tickets here.

January 09, 2008

Then We Came to the End

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I don’t get to read as much as I used to. I suppose this is mostly because the majority of my free time is actually spent watching films I’ve missed throughout the year, however I still try to keep relatively current. This past weekend I was at the incredible Denver bookstore Tattered Cover picking up some things; the new Daniel Schorr book, Come to Think of It: Notes on the End of the Millennium, Denis Johnson’s novel Tree of Smoke and the nonfiction collection edited by Ira Glass, The New Kings of Nonfiction when I came across something that made me extremely happy. But, let me back up…

In the early 1990’s I was in school at the University of Iowa pursuing what I thought was the beginning of a fantastic writing career. I had luckily been accepted into their undergraduate writing workshop the first year and was (even luckier) given a fiction scholarship for year two. There, in class, I met Josh Ferris with whom I became good friends. In our second year we had a teacher we thought, well…not so much of, and decided to create our own outside of class workshop, which we held at Iowa City’s infamous Sanctuary Pub. We gathered once a week, made our own rules, brought our own stories and critiqued them in a constructive way we felt we weren’t getting from the school itself.

Fast forward a couple years and I was beginning my work with the Denver Film Festival, Josh was getting his MFA in Creative Writing from UC Irvine, another friend and writer, Grant Rosenberg, was doing some work for the Chicago International Film Festival and Josh came up with the idea to start our own literary magazine—one that focused primarily on the screenplay—and Sanctuary Quarterly was born. It was, sadly, short lived and people moved on.

So, the other day in the Tattered Cover I came across a table of books marked “New York Times 2007 Notable Books of the Year.” And there was Josh’s first novel, Then We Came to the End. And what’s more…it’s a finalist for the National Book Award this year. The reviews are glowing:

"THEN WE CAME TO THEN END, it turns out, is neither small nor angry, but expansive, great-hearted and acidly funny.... "
New York Times Book Review

"Although Ferris' vision is less grim, it is no less grave; what looks at first glance like a sweet-tempered satire of workplace culture is revealed upon closer inspection to be a very serious novel about, well, America. It may even be, in its own modest way, a great American novel."
LA Times

"Fabulous....The emotional oscillation as employees strive to stay alive (read: employed) is played out by Ferris with the sort of exuberance and energy that marked Jay McInerney's "Bright Lights, Big City," to which THEN WE CAME TO THE END might seem a Midwestern cousin.....Ferris' writing displays a strong descriptive flair, but the greatest asset of "THEN WE CAME TO THE END is the nuance of its narrative voice, which has the gossipy warmth and seeming closeness of a conspiratorial co-worker leaning over a partition to impart the latest rumor."
Chicago Tribune

"Joshua Ferris' brilliant and incredibly funny debut novel, "Then We Came to the End," lays bare the strange interconnectedness of human cogs in the corporate machine."
Newsday

There are dozens of similarly toned reviews. I’ve just started it (first person plural!?!) and I hope everybody I know goes and picks up a copy. And, by the way, it's been optioned by HBO, so a scipt is in the works. I'll update that progress as I know it. And Josh, if you see this, email me…your email bounced back. Do you realize you are up against Denis Johnson for the National Book Award?? Jesus.

January 08, 2008

Most depressing 2007 Headline for me...

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Sharon Stone sold her 1961 Lincoln Continental at the Dubai Film Festival for $400,000. Why is that depressing? Because I sold my 1962 Lincoln Continental a few months prior to that for, umm…$3500. Yes, yes…I know her thing was for charity but I betcha my car had a better sound system.

January 07, 2008

Documentary past and present

Over at All These Wonderful Things (also announced on IndieWIRE) AJ Schnack revealed details of the new Documentary Awards that will be given out this spring. I was pleased to be among those that got to nominate films for categories from the 76 film list provided by AJ and Toronto doc programmer Thom Powers. I think it’s a fantastic endeavor and well past due. I also found it interesting, personally, that when I was picking my Sundance tickets early last week documentaries were the things that seemed most exciting to me in their program. Out of the 20 films I got tickets for, 13 ended up being for doc films. The list:

Slingshot Hip Hop
American Soldier
Roman Polanski: Wanted and Desired
Secrecy
Alone in Four Walls
Bigger, Stronger, Faster
Anvil! The Story of Anvil
In Prison My Whole Life
Made in America
Trouble the Water
Where in the World is Osama Bin Laden?
Man on Wire
Nerakhoon

The rest:
Perro Come Perro
Downloading Nancy
Goliath
North Starr
Just Another Love Story
In Bruges
Fear(s) of the Dark

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