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September 2007

September 30, 2007

SDFF30 / Burma, Myanmar and the Mystic Ball

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It’s been impossible to ignore the news coming out of Burma over the past 10 days. Thousands of monks marching in the streets, the marvel that is Aung San Suu Kyi and the horror of the military regime opening fire on its own people who are, once again, protesting the government.

One of the most visually stunning films in the festival this year is the Canadian documentary, Mystic Ball, that has, all of the sudden, become even more relevant because of the disasters happening in Burma. The film explores the Burmese game of chinlone, which is far better seen than explained, but imagine the most beautiful, acrobatic, artistic game of Hacky-Sack you’ve ever seen...and that’s not even close. The game itself is exceedingly difficult and in the end there are no winners, no losers and everyone is allowed to play; men, women, children, the elderly, all standing together, playing.

It’s a lovely, lyrical thing to see…especially now.

September 28, 2007

SDFF30 / Bringing the War Home

Taxi
(photo from Taxi to the Dark Side)

Five years into the wars in Afghanistan and Iraq, a number of remarkable films have already been made that address the conflicts in differing ways. A significant number of documentaries, of course, have covered nearly every angle of the conflicts; Iraq in Fragments; Gunner Palace; Occupation: Dreamland; My Country, My Country; When I Came Home; The Blood of My Brother; The War Tapes, and of course the one that started it all Fahrenheit 9/11.

As part of the festival this year we have three very different documentaries coming at the conflict from a variety of angles. First up, ThinkFilm’s Taxi to the Dark Side (directed by Alex Gibney), a disturbing look at the trio of hell-holes that became front and center in the prisoner torture scandals—Bagram Air Force Base in Afghanistan, Abu Ghraib and Guantanamo. Secondly, Gary Weimberg and Catherine Ryan’s Soldiers of Conscience, a fascinating mix of U.S. soldiers who are either still in, or recently returning Iraq War soldiers who have, for varying reasons, decided to apply for conscientious objector status. Not surprisingly, the Army reacts poorly to this kind of thinking outside of their big camouflage box. One of the wonderful things about this film is the ideological spread of people they interviewed—both right and left-wingers, atheists and Christians—all of whom have decided in their own ways and for their own reasons that this war was an unjust and/or immoral fight. Last but not least, Operation Filmmaker, the new doc by Nina Davenport about an entirely different aspect of the war, which, in the end, goes as far awry as anything else. Liev Schreiber, while filming Everything is Illuminated, reads about an Iraqi film student whose school had been bombed and destroyed and decides to invite him along to help out while Illuminated is filming in the Czech Republic. Shortly after arrival, Muthana, the Iraqi film student, professes his love for George W. and, needless to say, things deteriorate from there.

We’ll bring this all together with a panel centered around the films, and the war itself, called Bringing the War Home.

And, in case you’re thinking that we’re nearing the end of the era of Iraq war documentaries, just wait…Errol Morris’ new film, not yet finished, is about Abu Ghraib and opening at the Starz FilmCenter on November 2, one week before the festival, is Ellen Spiro and Phil Donahue’s heartbreaking Body of War.

September 27, 2007

SDFF30 / The Tracey Fragments

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Leading up to the start of the festival, which is a little more than a month away, I plan on talking about some of my favorite films that will be screening, guests that will be coming, etc., etc. Definitely one that I’m especially glad to have in SDFF this year is The Tracey Fragments, a film I saw at the Berlin Film Festival earlier this year. It’s an amazing piece of filmmaking—visually daring (almost the entire film is composed of split-screen images), emotionally resonant and perfectly acted by Ellen Page and directed by Bruce McDonald. This is the kind of film that makes almost every other teen-angst, runaway, alienated-youth film seem silly by comparison. Oh, and of course, being a teen-angst kinda film, its got a great soundtrack done almost entirely by Broken Social Scene

September 24, 2007

30th Starz Denver Film Festival - mark your calendars

Dff30bugcoral

I’ve been remiss. It’s a bad habit, I know, but I’m trying to change. Truly. The thing is that I’ve spent almost every spare hour for the past couple of months screening films for the festival—our 30th. The program is finally near complete and I plan on talking about some of the films we’ve booked, some of the people coming and of course, maybe a party or two. Check back often to see what’s coming up.

November 8-18…11 days, 175+ films, more than 125 filmmakers introducing and discussing their work…don’t miss it.

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